Are Techno And Dubstep From My Music Dating Services
Having delved into both techno and dubstep, Scuba aims to merge the two worlds Air Date: Friday 26th October - LA / NY / UK. Throughout the course of his lengthy musical career, Scuba (real name. Dubstep is a genre of electronic dance music that originated in South London in the late s. The earliest dubstep releases date back to , and were usually featured as B-sides of 2-step garage single releases. These tracks were. Paranoid and gothic, the song imagined electro-house as a sort of sonic haunted house. As contemporary EDM gradually assumed its shape, trance kingpin . Prydz for the stems — and then delivered a remix that's no less massive. .. to date, resulting in something that sounds a lot like being invincible.
Electronic dance music
The music website Allmusic has described Dubstep's overall sound as "tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals.
These experiments often ended up on the B-side of a white label or commercial garage release. Similar to a vocal garage hybrid — grime — the genre's feel is commonly dark; tracks frequently use a minor key and can feature dissonant harmonies such as the tritone interval within a riff. Other distinguishing features often found are the use of samplesa propulsive, sparse rhythm,  and an almost omnipresent sub-bass.
Some dubstep artists have also incorporated a variety of outside influences, from dub-influenced techno such as Basic Channel to classical music or heavy metal.
The tempo is nearly always in the range of — beats per minutewith a clap or snare usually inserted every third beat in a bar. A lot of producers were also experimenting with tribal drum samples, such as Loefah's early release "Truly Dread" and Mala's "Anti-War Dub". In an Invisible Jukebox interview with The Wire, Kode9 commented on a MRK1 track, observing that listeners "have internalized the double-time rhythm" and the "track is so empty it makes [the listener] nervous, and you almost fill in the double time yourself, physically, to compensate".
This style of bass is typically produced by using a low-frequency oscillator to manipulate certain parameters of a synthesiser such as volumedistortion or filter cutoff. The resulting sound is a timbre that is punctuated by rhythmic variations in volume, filter cutoff, or distortion. This style of bass is a driving factor in some variations of dubstep, particularly at the more club-friendly end of the spectrum.
Typically this would comprise an introa main section often incorporating a bass dropa midsectiona second main section similar to the first often with another dropand an outro.
Techno & Dubstep | MyMusic Wiki | FANDOM powered by Wikia
Many early dubstep tracks incorporate one or more "bass drops", a characteristic inherited from drum and bass. Typically, the percussion will pause, often reducing the track to silence, and then resume with more intensity, accompanied by a dominant sub-bass often passing portamento through an entire octave or more, as in the audio example. However, this or the existence of a bass drop in general is by no means a completely rigid characteristic, rather a trope; a large portion of seminal tunes from producers like Kode9 and Horsepower Productions have more experimental song structures which do not rely on a drop for a dynamic peak — and in some instances do not feature a bass drop at all.
Rewinds or reloads  are another technique used by dubstep DJs. If a song seems to be especially popular, the DJ will "spin back" the record by hand without lifting the stylus, and play the track in question again.
Rewinds are also an important live element in many of dubstep's precursors; the technique originates in dub reggae soundsystemsis widely employed by pirate radio stations and is also used at UK garage and jungle nights. Kode9 has collaborated extensively with the Spaceapewho MCs in a dread poet style.
He has also released tracks with a dubstep foundation and grime verses over the beats. The early sounds of proto-dubstep originally came out of productions during — by producers such as Oris Jay,  El-B Steve Gurley  and Zed Bias.
The term's use in a XLR8R cover story featuring Horsepower Productions on the cover contributed to it becoming established as the name of the genre. Producers including D1, Skream and Benga make regular appearances.
Another crucial element in the early development of dubstep was the Big Apple Records record shop in Croydon.
South London collective Digital Mystikz Mala and Cokialong with labelmates and collaborators Loefah and MC Sgt Pokes soon came into their own, bringing sound system thinking, dub values, and appreciation of jungle bass weight to the dubstep scene.
They also began their night DMZ, held every two months in Brixton a part of London already strongly associated with reggae. DMZ's first anniversary event at the Mass venue, a converted church saw fans attending from places as far away as Swedenthe United States, and Australia, leading to a queue of people at the event.
Techno artists and DJs began assimilating dubstep into their sets and productions.
BBC Radio 1 DJ Gilles Peterson named it his record ofand it was also a massive hit in the equally bassline-orientated, but decidedly more four-to-the-floor genre of bassline house whilst Burial's late release Untrue which was nominated for the Nationwide Mercury Music Prize in the UK incorporated extensive use of heavily manipulated, mostly female, 'girl next door' vocal samples.
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